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SERIES DEVELOPMENT
Košťál, Jakub ; ŠLAJER, Vratislav (advisor) ; Horák, Petr (referee)
The Bachelor Thesis deals with the possibilities of an independent producer in the Czech environment in drama series with application to the author's own project. The first part defines the basic terms and explains the work process and the selection of respondents. The second part consists of four semi-structured interviews, each dealing with another type of series and another type of broadcaster. Before each interview, there is a case study of the relevant project, which is discussed further during the interview. The third part is a description of the author's own project. The last chapter before the conclusion deals with the topic of the Czech Film Fund and its support for serial production. The conclusion of the paper deals with the same elements that are based on the interviews and attempts to apply them to the author's own project. The work could be an inspiration for the beginning producers.
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Short film's problems from the producer's point of view
Netíková, Martina ; OUKROPEC, Petr (advisor) ; KALLISTA, Jaromír (referee)
This bachelor thesis examines conditions for producing a short film in Czech Republic from a producer`s point of view. Firstly, the term `short film` is defined and put in context of Czech film industry. Afterwards, thesis focuses on the attitude of key institutions and other aspects that influence the conditions of short film production. Individual chapters describe the specifics of development, production and distribution - outlining the differences from working with feature films, characterizing individual procedures and giving specific examples. At the end of the thesis sale possibilities are presented as well as possible financial and intangible profitability.
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Time management for Czech film producers
Homolová, Anika ; KOPECKÝ, Čestmír (advisor) ; MORAVEC, Václav (referee)
In my thesis I focused on time management issues connected to the workflow of independent Czech film producers. I was interested in specific ways producers’ job defines their time management and which methods can be used to help them in keeping their time under control.
I have approached four Czech producers with related questions, analyzing the topic in a form of an interview. Based on their personal experiences I was able to create several models of efficient time management which can prove useful to other producers. I based my research on quality not quantity and because of that some of my results may seem subjective. That said I am convinced it was worthwhile to delve into this topic and use the experiences of production personas of Czech film scene as a base for my research and possible help for others.
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TELEVISION PRODUCTION GROUP TARGET TO AUDIENCE 65+
Slivoňová, Juliána Silvie ; KOPECKÝ, Čestmír (advisor) ; VLACH, Jiří (referee)
The output of this work is the basis of a creative producer group independent of the public service television and narrowly focused on the senior spectator. It contains a description of the TV environment both from the producer side and from the consumer side. A detailed description of the target group is added on the basis of a comparison of available sociological research and a basic description of the five recommended programs for such a particular production group.
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The Phenomenon of Biographical Audiovisual Works from Producer's Perspective
Šonková, Barbora ; OUKROPEC, Petr (advisor) ; Havas, David (referee)
The diploma thesis with the title Phenomenon of Biographical Audiovisual Works from Producer's Perspective concentrates on the topic of biographical feature films in the Czech Republic. It is looking for similarities in such films, miniseries and serials. The work covers the history of audiovisual works within the biographical genre in the Czech Republic and Czechoslovakia. The most extensive part of the thesis is dedicated to the specifics of development, realization, marketing and distribution, presented through specific examples of biographical audiovisual works in praxis. The thesis also covers international cooperation and distribution from the Czech producer’s point of view. It concentrates mainly on feature films; however, it covers TV production as well. The result of this thesis is a summary of gained knowledge, rules and experiences of diverse living filmmakers (often contrary ones), for their future application in praxis.
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